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# 8 The wayzgoose

The wayzgoose. Proof sheets for bunting, a goose for the table, and the devil fed at last.

The old shops kept one feast a year. Late in August, around Bartholomew-tide, when the evenings began to shorten and the compositors would soon be setting type by candlelight, the master gave his men a dinner. They called it the wayzgoose. The manuals that record the custom cannot settle where the word came from, but they agree on the shape of the thing: the work was turning with the season, the turn deserved marking, and the master paid. The devil ate at the same table as the journeymen. Then the whole shop went back to work in the dark half of the year.

The feast came when the season came, around Bartholomew-tide in late August, the point when the shop began working by candlelight again. Later shops let it drift toward high summer, but it stayed a fixture on the calendar, not a thing summoned to flatter a visitor or force a mood.

The modern shop keeps the feast too. It is called release day, and it differs from the wayzgoose in one way: the wayzgoose was scheduled, and release day is gated. A season turns on the calendar whether the sheets are clean or not. An edition leaves the shop when the gates open, and the gates do not open because a date arrived or because somebody promised a demo in a meeting.

There are three gates. The machinery holds them, because on feast day you will want to let one slide.

The run leaves only from the main line. Whatever sits on your bench, however finished it looks, it is not the edition. The main line is the copy the whole shop can read, the copy every proof has run against, with no private corrections still in someone’s pocket. Land the work there first.

The run leaves only with the ledger entry already written. The notice comes out of the ledger; nobody composes it on feast day. The trap is in the ordering. Roll the accumulated notes into a dated section that matches the tag before you tag. Tag first and the extractor finds nothing, and an empty notice stops the run cold. If you cannot write down what changed in this edition, the edition is not done.

And the run leaves only after every sheet has passed proof. A build can complete and still produce a book that will not open, so exit codes are not enough: every format built, every check green, the finished copies opened and inspected as objects.

When the gates are satisfied, one tag starts the machinery, and from there it runs alone: it builds every format, proves each one, publishes the edition, and attaches the notice it pulled from the ledger. Your hands are off the press.

When a gate is not satisfied, the machinery refuses. A shop tagged a release candidate with the season’s notes still sitting under the unreleased heading of the ledger. The extractor went looking for a section matching the tag, found none, produced an empty notice, and the run stopped before a single copy left the building. Nothing had shipped, so nothing needed rolling back. The repair was one commit, rolling the notes into a dated section, and a second tag. The grumbling outlasted the repair.

The refusal was right. A system that will say no to you while you are reaching for the glass is the only kind worth building, and this one did: an edition would have gone into the world with no account of what it was; no reader could have learned from the shop what changed or why. The machinery declined to publish an unlabeled book.

Then the run goes green, and you will want to take its word. Do not. Go where a stranger would go. Follow the public path, not your bookmarks and not the build directory. Download the published copy from the place a reader will find it, open it, and read a page from the middle. Look at the type, follow a cross-reference, and check that the plates landed where the list says they did. The copy in a stranger’s hands is the fact; everything before it was rehearsal. The whole inspection takes ten minutes.

Then, and only then, the feast. Scale it to the shop. In a shop of one or three, the wayzgoose may be a good dinner, a closed laptop, an evening that does not smell of the press. Take it seriously anyway. Skip enough feasts and shipping starts to feel like any other Tuesday, and then it starts to mean nothing. The devil worked the whole season beside you and does not eat. The feast is yours.

One duty remains, and it belongs to the same evening, while everything is fresh. Open the ledger and write the honest paragraph: what went wrong in this edition’s run. Not the triumphs; the notice already holds those. The gate that refused you and why. The check that passed when it should not have. Any step you did by hand, because the machinery should have done it and the ledger should say so. Write the symptoms exactly, with the numbers still sharp. By morning they soften into anecdote. By next month they are gone.

The next edition inherits everything this one records, and only what it records. The unreleased section that starts filling tomorrow sits directly under this paragraph. Whoever opens the ledger to begin the next season’s work, you or the devil, reads it first.

Then back to work in the dark half of the year.

The empty notice. The machinery says no while the hand is reaching for the glass.

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